Together Apart V…an evening of audio wonderments
Time: 8:00 pm MST
Where: https://www.twitch.tv/beamsdotca and your private parlour
What: OSPAC Openhouse!
When: Sept 27,28,29 but BEAMS is on Sept 29, 2024 at 1pm
Where: 8426 Gateway Blvd NW, Edmonton
AGM June 24 Monday at 12 noon.
Come to this page just before noon to see a zoom or a jitsi.com link for the video conference AGM.
https://meet.jit.si/moderated/4afbb495020bcc1f1ccaa38b1e3ec7dd87b13464a0e7b649861d1e53e9cc7fb1
On August 17th 2024 Edmonton noisefest will happen again at the Aviary!
Checkout https://noisefest.ca/ for more details.
Saturday May 25th, 2024, Idylwylde Community League, 3pm to midnight.
$10 for BEAMS members, and $10 for BEAMS memberships. Free for Idylwylde Community League members.
Time On | Project Name | Duration | Performance Description |
15:00 | m.o.a.i.n. | 30 minutes | I will use some free software and Ableton live to improvise a live mixing variety of drones together for a complex dynamic of drone sound. |
15:30 | Brick Road | 45 minutes | I will drone using pure drone and other continuous sounds with electronic and acoustic instruments. |
16:15 | Microenvironment | 30 minutes | "Lost to time" An evolving layer of tension that slowly builds into a satisfying release. |
16:45 | Wayne Defehr | 45 minutes | This piece weaves drone tones drawn from the sounds of the environment, such as my field recordings of the wind at the UA farm, and the North Saskatchewan R., along with the sounds of the weather sensors on the roof of the UA department of Geography, recorded with a JSON script and the API from a Weather Canada site. |
17:30 | Dinosaur Dragondrone | 45 minutes | Building and maintaining an 'organic' feedback loop. Organic being not directly feeding the source signal back to itself...but relying on acoustic resonance and standing waves within the room to carry the sound. |
18:15 | Jared Epp | 30 minutes | I plan to perform a new composition, that will be part structured and part improvised. It will be electronic based and may include some loops of found sound recordings. |
18:45 | James Parrott | 1 hour | I plan to do a mix of improvised performance, plus a mix of field recordings and previous works. |
19:45 | Ghost Cars | 1 hour | A longform piece made with guitar, keyboard, and samples. |
20:45 | Matt McKenzie | 1 hour | Two or three compositions that explore ostinatos as a means of producing drones. Various synthesis techniques will be used including granular/sample-based. |
21:45 | Gary James Joynes / Clinker | 1 hour | Modular Synthesizer Drone Set |
22:45 | Gray Hartley | 30 minutes | Subject to change in the next 2 months but mainly just improvised guitar drones visually accompanied by the animated childhood trauma classic Watership Down |
23:15 | K.M. Toepfer | 45 minutes | I plan to perform an improvised piece of sustained tones and shifting, reverberating drone-scapes created with feedback from home stereo equipment as the source material. |
For immediate release
April 28, 2024
BEAMS celebrates a decade of drone
EDMONTON—The Boreal Electroacoustic Music Society will commemorate National Drone Day, taking place Saturday, May 25, with an extensive live concert at Idylwylde Community Hall (8631-81 St.) starting at 3 pm. The event is expected to run until midnight.
Twelve artists from Edmonton and the surrounding region will perform sets varying in length from 30 minutes to an hour, performing drone music, often described as the taking the form of sustained sounds with a minimalist delivery. The repertoire of the acts playing that day (Brick Road, Wayne DeFehr, Dinosaur Dragondrone, Jared Epp, Ghost Cars, Gray Hartley, Gary James Joynes, Matt McKenzie, Microenvironment, m.o.a.i.n., James Parrott, and K.M. Toepfer) are slated to play a wide range of sounds from melodic tones to found-sound noise, which all fall under the requisites of what is considered drone.
The show takes place 10 years to the month of the first National Drone Day festivities, which first took place May 10, 2014. The event, first dreamed up by Marie LeBlanc Flanagan, co-founder of alternative music distributor Weird Canada, has become a national and annual occurrence ever since.
“Drone Day is a reclamation of the idea of a holiday, of a community celebration with no purpose beyond a shared interest in drone music, a community and a marked moment in time,” said LeBlanc Flanagan to Grid City Magazine in 2015.
Tickets to the Edmonton festivities of National Drone Day are $20, $10 for BEAMS members. The show is free to members of the Idylwylde Community League.
Media Contact:
Abram Hindle
info@beams.ca
Hi BEAMERS!
Every Friday we are going to be doing an artist spot light to help promote all the artists in our community. If you want us to share your music/videos on our social media. Send us a short bio and link to what you want shared. This is going to be on going so there is no limit to how much you submit. The more the merrier! Make a list of all you would like to share along with the short bio and email your submissions to:
beams-submission@googlegroups.com
With the subject “Weekly Spotlight”
Here's the form if you want to try to perform: https://forms.gle/GHiSega1u5SMacABA
Jan 20th 8pm and Jan 20th 2pm for Open Mic
Edmonton to join the world for a weird arts celebration
The Boreal Electroaoustic Music Society (BEAMS) will celebrate Art’s Birthday, one of the world’s most unusual celebrations of art. The event, Art’s Birthday Edmonton 2024, takes place Saturday, Jan. 20 at 8 p.m. at Idylwylde Community League (8631-81 Street).
The show will feature a wide range of Edmonton sound artists and experimental musicians, many of whom have garnered international reputations for their work. Slated to play are James Parrott, Wayne DeFehr, Cave To Hades, Shawn Pinchbeck, Skrunt Skrunt, XiME, and The Alt-Wrong Orchestra.
BEAMS has hosted this annual event in Edmonton since 2010, as part of a global tribute to art, an idea conceived by French surrealist Robert Filliou in 1963. He believed that a million years ago, art did not exist until a sponge was dropped into a pail of water, and picked his own birthday, Jan. 17, to celebrate the occasion. Charmed by the absurdity of the notion, artists, predominantly in Europe, have been celebrating Art’s Birthday ever since. A comprehensive background of the event and international listings are available on artsbirthday.net .
A free open mic event hosted by the Idylwylde Community League also takes place that day at 2 p.m. Admission to Art’s Birthday is free to Idylwylde Community League members, $10 to BEAMS members, $20 to non-members, with a BEAMS membership to newcomers built into the price.